Mid-August in Paris (the title is a date: August 15) in a sunny, quiet apartment a young woman talks, thinks, reflects about herself, everyday life and little events in a long, uninterrupted monologue. The camera pictures her and her gestures in long, fixed shots moving around the rooms, the space, the light and shadows of a summer day.
Taylor is forced to hide the young daughter of a woman in witness protection who will be testifying against a powerful Colombian drug cartel in Federal Court, as two ruthless sicarios aim to hunt them down.